Family Tree Là Gì

a drawing that shows the relationships between the different members of a family, especially over a long period of time

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a drawing that shows all the members of a family, usually over a long period of time, và how they are related to each other
The traditional " migration " model takes lines linking linguistic phenomena on family tree diagrams & interprets them historically in terms of lengthy migrations.
If there is a family history of bleeding, a family tree & the age of presentation in affected relatives may provide useful information.
Linguists use family tree diagrams as a form of pictorial shorthand khổng lồ illustrate the relationship and development of languages and groups of languages within families.
Family tree diagrams are thus static models that greatly oversimplify complex patterns of linguistic change.
Figure 5 shows a realistic example, in family tree size with all connecting lines horizontal or vertical.
It is likely that most people (if asked) could provide a crude "family tree" of their musical tastes.
There is no necessary one-to-one relationship between the history of a language và the history of the people who speak it today, nor between a family tree diagram & migrations.
Each node on a language family tree is supposed to represent the starting point of an innovation or set of innovations shared by all the languages below the node.
Thus, some of the innovations that have come to characterize a language or sub-group today may have occurred subsequent khổng lồ its node on the family tree.
Lexicostatistics thus produces the familiar bifurcating family tree mã sản phẩm of linguistic development, with each pair of languages stemming from an earlier language, as discussed further below.

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If a psychoanalytic approach is lớn survive, then there must be ways of pruning this family tree, so that the toàn thân of theory is strengthened rather than continually branching out.
These examples are from corpora và from sources on the web. Any opinions in the examples vì not represent the opinion of the editors or of University Press or its licensors.

a room or building that is used for showing works of art, sometimes so that they can be sold

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